1 00:00:01,001 --> 00:00:02,605 MILES: Previously an Get Shorty... 2 00:00:02,669 --> 00:00:04,046 -(MUFFLED CRYING) - Fucking Christ. 3 00:00:04,104 --> 00:00:05,811 What? He was talkin' shit! 4 00:00:05,872 --> 00:00:07,044 My wife's boyfriend! 5 00:00:07,107 --> 00:00:08,142 That's your wife's boyfriend? 6 00:00:08,208 --> 00:00:09,209 Get in your car. I'll move him out. 7 00:00:09,275 --> 00:00:10,379 (CHUCKLES) 8 00:00:10,443 --> 00:00:12,684 I think its best you don't tell anyone about this. 9 00:00:12,746 --> 00:00:13,816 Not even Katie. 10 00:00:15,515 --> 00:00:17,392 This is a beautiful story. 11 00:00:17,450 --> 00:00:20,624 It's honest and it's real and I promise when you read it, 12 00:00:20,687 --> 00:00:23,793 you'll realize you would've wanted to make this movie anyway. 13 00:00:23,857 --> 00:00:28,272 If you don't, I'll ruin you. I'll ruin your fuckin' life. 14 00:00:28,328 --> 00:00:31,605 You think you walk over me because I am a woman? 15 00:00:31,664 --> 00:00:33,644 You little dick maricon. 16 00:00:33,700 --> 00:00:34,872 Go back up north 17 00:00:34,934 --> 00:00:38,006 or I cut your fucking legs off. 18 00:00:56,990 --> 00:00:59,095 (BREATHING HEAVILY) 19 00:00:59,159 --> 00:01:00,399 Still alive? 20 00:01:01,528 --> 00:01:03,269 I thought you wanted to speak to him. 21 00:01:03,329 --> 00:01:04,774 (BREATHES HEAVILY) 22 00:01:04,831 --> 00:01:07,072 If you don't, I'll, I'll finish up. 23 00:01:09,035 --> 00:01:10,571 I come in. 24 00:01:10,637 --> 00:01:11,843 (MILES COUGHS) 25 00:01:11,905 --> 00:01:13,543 (MILES GROANS) 26 00:01:13,606 --> 00:01:15,347 (YAGO SPEAKING SPANISH) 27 00:01:17,944 --> 00:01:19,582 Someone's here to see you. 28 00:01:20,814 --> 00:01:21,815 (GROANS) 29 00:01:24,084 --> 00:01:26,621 (SOOTHING SPANISH MUSIC PLAYING) 30 00:01:34,627 --> 00:01:36,868 (MUSIC CONTINUES) 31 00:02:11,331 --> 00:02:12,742 (CELL PHONE RINGING) 32 00:02:13,633 --> 00:02:14,771 Oh, shit. 33 00:02:14,834 --> 00:02:16,006 Amara. Hi. 34 00:02:16,369 --> 00:02:17,370 I love. 35 00:02:17,437 --> 00:02:18,472 What's that? 36 00:02:18,538 --> 00:02:20,711 Script for my movie. 37 00:02:20,773 --> 00:02:23,151 (SPEAKING SPANISH) 38 00:02:23,209 --> 00:02:24,381 MILES: {ON PHONE} Oh, you read the script. 39 00:02:24,444 --> 00:02:27,323 That's great. isn't it, uh, it's, it's terrific, isn't it? 40 00:02:27,380 --> 00:02:28,688 I mean, I mean, I, I really think... 41 00:02:28,748 --> 00:02:30,159 How is John Stamos? 42 00:02:30,683 --> 00:02:33,721 Uh, we haven't started casting, 43 00:02:33,786 --> 00:02:36,790 so I haven't had the chance to meet Mr. Stamos just yet. 44 00:02:38,458 --> 00:02:39,493 I want a photo. 45 00:02:40,660 --> 00:02:41,661 Okay... 46 00:02:42,562 --> 00:02:44,940 Stamos. Autografa. Should say, 47 00:02:44,998 --> 00:02:49,242 "Amara, que belle. With love, John Stamos." 48 00:02:50,403 --> 00:02:52,849 "With love." No prob/emu. 49 00:02:52,906 --> 00:02:56,149 Um, soon as I meet Mr. Stamos, I'll have him do that for you. 50 00:02:56,209 --> 00:02:58,211 - Stay in touch. - MILES: Absolutely, we will. 51 00:02:58,278 --> 00:03:00,781 And let us know the moment that... Hello? 52 00:03:02,348 --> 00:03:03,850 Every fucking time. 53 00:03:03,917 --> 00:03:05,919 - What'd she want? - Oh, man. She's happy. 54 00:03:05,985 --> 00:03:07,396 - Yeah? - Very happy investor, man. 55 00:03:07,453 --> 00:03:08,898 She read the script, she loves it. 56 00:03:08,955 --> 00:03:10,593 She says it's "may romantic-o. " 57 00:03:10,657 --> 00:03:11,658 Ah! 58 00:03:11,724 --> 00:03:13,328 And that's the beauty of a story like this. 59 00:03:13,393 --> 00:03:16,340 You know, even if you're a psychopath, it touches your heart. 60 00:03:16,396 --> 00:03:18,398 I mean, sh... She read it? 61 00:03:19,265 --> 00:03:22,212 I haven't even read it. And I wrote it. 62 00:03:39,919 --> 00:03:40,954 What's up, bro? 63 00:03:41,020 --> 00:03:43,296 What's up? Not him. 64 00:03:44,157 --> 00:03:45,431 Oh, no, he, he's cool. 65 00:03:45,491 --> 00:03:47,164 Ain't about being cool, bro. 66 00:03:49,662 --> 00:03:50,697 Man... 67 00:03:51,297 --> 00:03:52,674 (KNOCK ON THE DOOR) 68 00:03:53,566 --> 00:03:55,102 -(BUZZER BEEPING) -(DOOR OPENS) 69 00:03:55,168 --> 00:04:00,015 Yo. Everyone so on edge, dog. It's, like, freakin' me out. 70 00:04:00,073 --> 00:04:01,245 That's how it's gotta be. 71 00:04:01,307 --> 00:04:02,479 Yeah, for how long? 72 00:04:02,542 --> 00:04:05,250 If you heard what Amara told Josias? 73 00:04:05,311 --> 00:04:07,222 She was like, "This shit is war." 74 00:04:07,280 --> 00:04:08,884 (SCOFFS) 75 00:04:08,948 --> 00:04:10,894 If anyone should be on the lookout, it's me. 76 00:04:11,251 --> 00:04:12,321 Why? 77 00:04:12,852 --> 00:04:14,593 I'm a lieutenant. 78 00:04:14,654 --> 00:04:19,103 If they cap you, no offense, but that's not headline news. 79 00:04:19,158 --> 00:04:22,332 They cap me? That's some serious shit. 80 00:04:24,264 --> 00:04:25,334 Yeah. 81 00:04:35,341 --> 00:04:37,116 Oh, the sign looks good. 82 00:04:37,176 --> 00:04:38,678 And professional, yeah. 83 00:04:40,680 --> 00:04:42,182 (LIFT BELL DINGS) 84 00:04:45,818 --> 00:04:48,162 Oh, uh, put the plant over by the window, 85 00:04:48,221 --> 00:04:49,894 -it'll die slower. - Yes, ma'am. 86 00:04:49,956 --> 00:04:51,833 Hey-hey. Pretty cool, huh? 87 00:04:51,891 --> 00:04:53,564 - This is all us? - GLADYS: All us. 88 00:04:53,626 --> 00:04:55,196 I can't find the coffee machine though? 89 00:04:55,261 --> 00:04:57,366 Please, if somebody finds it, let me know. 90 00:04:57,764 --> 00:04:59,835 You and Rick have a 2:00 p.m. with April. 91 00:04:59,899 --> 00:05:02,004 -(SIGHS) - Is it just them, or should I... 92 00:05:02,068 --> 00:05:03,604 Far as I know, it's just producers. 93 00:05:03,670 --> 00:05:06,549 And we need your headshot for the announcement in the trades. 94 00:05:06,606 --> 00:05:08,347 The trades, right. 95 00:05:08,408 --> 00:05:09,443 Trade what? 96 00:05:09,509 --> 00:05:11,182 Industry magazines, websites. 97 00:05:11,911 --> 00:05:14,323 Wait. His picture's going in a magazine? 98 00:05:14,380 --> 00:05:15,791 Yeah, this is what they always do 99 00:05:15,848 --> 00:05:17,350 when you have a "Go" picture. 100 00:05:17,417 --> 00:05:18,794 I don't have a headshot, though. 101 00:05:18,851 --> 00:05:21,923 Not one that's, um, that's appropriate. 102 00:05:22,522 --> 00:05:24,866 That's fine. The studio will set up a photo shoot. 103 00:05:24,924 --> 00:05:26,096 Oh. 104 00:05:26,159 --> 00:05:28,435 RICK: Gladys, what the hell is this? 105 00:05:28,494 --> 00:05:31,100 What, I leave here for one minute and this fucking thing? 106 00:05:31,164 --> 00:05:32,165 What movie is that? 107 00:05:32,231 --> 00:05:35,303 The biggest disaster of my career. Like I want it on the wall. 108 00:05:35,368 --> 00:05:36,711 GLADYS: Uh, well, must have been in your old closet. 109 00:05:36,769 --> 00:05:37,839 Okay. Get it off. 110 00:05:37,904 --> 00:05:39,076 The guy left. 111 00:05:39,138 --> 00:05:40,139 What guv? 112 00:05:40,206 --> 00:05:41,742 - Facilities. - Well, well... 113 00:05:41,808 --> 00:05:44,687 (SIGHS) Fuck. Come on. 114 00:05:44,744 --> 00:05:45,984 God damn it. 115 00:05:46,512 --> 00:05:49,254 Oh, they must've screwed it in when they did. 116 00:05:49,315 --> 00:05:50,794 Except, I don't see any screws. 117 00:05:50,850 --> 00:05:52,523 - How did they do it? - I'll have him come back. 118 00:05:52,585 --> 00:05:54,087 - Please. -(KNOCK ON THE DOOR) 119 00:05:54,153 --> 00:05:55,223 We interrupting? 120 00:05:55,288 --> 00:05:56,767 No. What's up, guys? 121 00:05:56,823 --> 00:06:00,236 Amara was hoping to get a signed photo of John Stamos. 122 00:06:00,760 --> 00:06:02,296 It's a souvenir for the investor. 123 00:06:02,362 --> 00:06:03,500 You think that can be arranged? 124 00:06:03,563 --> 00:06:06,271 Yeah, yeah, yeah. Yeah. Probably get one on eBay. 125 00:06:06,332 --> 00:06:07,333 Did you see your office? 126 00:06:08,334 --> 00:06:09,404 I have an office? 127 00:06:09,469 --> 00:06:10,504 (CHUCKLES) Next one over. 128 00:06:10,570 --> 00:06:11,844 I'll be in my office. 129 00:06:13,106 --> 00:06:15,279 - Coffee. - Yeah, get the guy. 130 00:06:17,276 --> 00:06:19,517 So, uh, so my office is, is... 131 00:06:20,446 --> 00:06:21,948 What, you need one? 132 00:06:22,014 --> 00:06:23,687 You already wrote the script. 133 00:06:26,486 --> 00:06:28,056 Can I, uh, use your bathroom? 134 00:06:51,711 --> 00:06:54,749 HEIDI: So you must be psyched. Owen sold his script. 135 00:06:55,214 --> 00:06:56,215 What? 136 00:06:56,282 --> 00:06:59,195 Wasn't he working on a script called The Admiral 's Mistress? 137 00:06:59,252 --> 00:07:01,858 A project with that title got set up at Gravity. 138 00:07:04,056 --> 00:07:07,128 - HEIDI: Oh, cute! - That's so cute. 139 00:07:07,193 --> 00:07:08,797 I'm actually not in touch with Owen. 140 00:07:08,861 --> 00:07:10,898 He basically ghosted me. 141 00:07:10,963 --> 00:07:12,340 I'm sorry. 142 00:07:12,398 --> 00:07:13,877 Yeah, no, it's fine. 143 00:07:13,933 --> 00:07:17,608 I mean, it's fucked, but whatever. He sold his script. 144 00:07:18,237 --> 00:07:21,081 Maybe not. Maybe it just has the same title... 145 00:07:21,607 --> 00:07:24,213 Can you get me a copy of it? I can see if it's his. 146 00:07:24,277 --> 00:07:25,278 Totally. 147 00:07:33,186 --> 00:07:34,426 RICK: We're here! 148 00:07:34,487 --> 00:07:37,730 You can imagine how I've been looking forward to this. 149 00:07:37,790 --> 00:07:39,827 MARCIA: Anyone like water or coffee? 150 00:07:39,892 --> 00:07:43,305 Um, that'd be... Can I get both? 151 00:07:43,362 --> 00:07:44,500 Coming right up. 152 00:07:44,564 --> 00:07:46,134 I'm, I'm fine. Thanks. 153 00:07:46,199 --> 00:07:48,770 These are the invites to Brandon's charity gala tomorrow. 154 00:07:48,835 --> 00:07:50,473 Parking passes inside. 155 00:07:50,536 --> 00:07:53,483 You might want to check with me before you go around handing those out. 156 00:07:54,207 --> 00:07:55,880 - Brandon said... - Thanks, Marcia. 157 00:07:58,211 --> 00:07:59,952 What's "Cocktail attire"? 158 00:08:00,012 --> 00:08:01,582 Means free valet and open bar. 159 00:08:03,316 --> 00:08:04,693 - A suit. Just wear a suit. - Oh. 160 00:08:05,418 --> 00:08:06,419 Come on. 161 00:08:06,486 --> 00:08:07,794 Ms. Quinn, can I say how excited I am... 162 00:08:07,854 --> 00:08:08,958 APRIL: No, you can't. 163 00:08:09,422 --> 00:08:11,834 RICK: All right. Okay. Look, I just wanted to say, 164 00:08:11,891 --> 00:08:14,235 off the record, I don't care what went on between you two. 165 00:08:14,293 --> 00:08:16,705 Sooner we get through this, the sooner you can leave. 166 00:08:16,762 --> 00:08:18,332 I'm prepping Lethal Limit Four, 167 00:08:18,397 --> 00:08:20,138 a project that actually matters. 168 00:08:20,733 --> 00:08:23,145 So, Gravity Pictures is on board. 169 00:08:23,202 --> 00:08:25,148 Only Brandon won't greenlight this unless he thinks 170 00:08:25,204 --> 00:08:26,581 there's an audience for it. 171 00:08:26,639 --> 00:08:28,482 More people than would attend, say, 172 00:08:28,541 --> 00:08:30,145 a high school production of The Crucible. 173 00:08:30,209 --> 00:08:32,314 The script needs work, obviously. 174 00:08:32,378 --> 00:08:33,379 Does it? 175 00:08:33,446 --> 00:08:35,448 I'll set up a meeting with this writer, 176 00:08:35,515 --> 00:08:37,722 "Louis Darnell," whoever that is. 177 00:08:38,684 --> 00:08:40,925 You want Louis to rewrite the script? 178 00:08:42,889 --> 00:08:45,392 I'm putting together a list of prestigious directors 179 00:08:45,458 --> 00:08:46,960 who will want nothing to do with us. 180 00:08:47,026 --> 00:08:48,505 But call them and beg, 181 00:08:48,561 --> 00:08:50,268 or this won't get off the ground. 182 00:08:50,329 --> 00:08:51,501 Finally, there's cast. 183 00:08:51,564 --> 00:08:52,872 Oh. We have some ideas. 184 00:08:53,866 --> 00:08:54,867 Do you? 185 00:08:54,934 --> 00:08:57,175 Well, the investor weighed in. 186 00:08:57,537 --> 00:08:58,880 Well, since we're buying out your investor 187 00:08:58,938 --> 00:09:00,508 that shouldn't be an issue. Right? 188 00:09:01,307 --> 00:09:02,411 What's this? 189 00:09:02,942 --> 00:09:04,285 It's the first I've heard of it. 190 00:09:04,343 --> 00:09:06,323 Lawyer stuff, I'm not really up on details. 191 00:09:06,379 --> 00:09:09,588 But I do know Brandon is not interested in a co-production. 192 00:09:09,649 --> 00:09:10,753 RICK: Okay, wait, wait, wait. 193 00:09:10,816 --> 00:09:13,353 They're gonna buy out Amara's distribution rights at a profit? 194 00:09:13,419 --> 00:09:14,693 - Correct. - Healthy profit? 195 00:09:14,754 --> 00:09:16,563 Lawyer stuff, blah-blah. 196 00:09:16,622 --> 00:09:18,966 I just know your investor's no longer an issue. 197 00:09:19,358 --> 00:09:21,770 (SIGHS) No, it's good news. 198 00:09:22,328 --> 00:09:23,432 - Yeah? - Yeah. 199 00:09:24,163 --> 00:09:26,200 So we're still making the film, but Amara... 200 00:09:26,265 --> 00:09:28,142 She's, she's made a profit already, yeah. 201 00:09:28,200 --> 00:09:30,180 So now she's out. It's good. 202 00:09:30,236 --> 00:09:31,442 - Amara's out. - Hmm. 203 00:09:31,504 --> 00:09:33,506 MARCIA: Coffee and water, there ya go! 204 00:09:33,573 --> 00:09:34,643 Thank you. 205 00:09:36,342 --> 00:09:38,618 Now that you have your beverages, should we keep going? 206 00:09:43,249 --> 00:09:44,785 NHLES". This was always the plan, 207 00:09:44,850 --> 00:09:47,763 it's just happening way sooner than I hoped. 208 00:09:47,820 --> 00:09:49,663 I mean, we can move forward with the movie 209 00:09:49,722 --> 00:09:50,996 and Amara's not involved. 210 00:09:51,057 --> 00:09:53,059 She doesn't know she's not involved. 211 00:09:53,125 --> 00:09:54,604 Right. 212 00:09:54,660 --> 00:09:57,664 When she finds out, she's gonna want us back in Pahrump. Right? 213 00:09:57,730 --> 00:09:59,437 - No, no, no, no, no. - Yeah, yeah, yeah, yeah, yeah. 214 00:09:59,498 --> 00:10:02,570 No. We told her that we were gonna make her a profit on her investment. 215 00:10:02,635 --> 00:10:04,740 Apart from that, we can, you know, do our own thing. 216 00:10:04,804 --> 00:10:06,306 Okay. Okay. That part? 217 00:10:06,372 --> 00:10:09,148 The, uh, "We can do our own thing" part? 218 00:10:09,208 --> 00:10:10,949 I don't remember you running that by Amara. 219 00:10:11,377 --> 00:10:12,378 I'll talk to Amara. 220 00:10:12,445 --> 00:10:14,391 - And I'll say, uh... - Okay. What'll you say? 221 00:10:14,447 --> 00:10:16,552 I'll say, um... 222 00:10:16,616 --> 00:10:17,822 Well, I don't know what I'll say. 223 00:10:17,883 --> 00:10:20,124 But she's not expecting to get paid 224 00:10:20,186 --> 00:10:22,860 until the movie's in the theaters, which is, what, 225 00:10:22,922 --> 00:10:24,401 like, a year from now. 226 00:10:24,457 --> 00:10:26,198 So maybe, in the meantime, we... 227 00:10:27,426 --> 00:10:28,803 We just don't mention it. 228 00:10:28,861 --> 00:10:30,568 No. You want to hide it from her? 229 00:10:30,630 --> 00:10:32,075 - She's gonna get paid, Lou... - Uh-uh. 230 00:10:32,131 --> 00:10:33,474 She's gonna get paid. In full. 231 00:10:33,532 --> 00:10:37,378 Every penny. Just, you know, eventually. 232 00:10:41,641 --> 00:10:43,621 Can you just be fucking happy for me? 233 00:10:44,477 --> 00:10:45,785 - What? - I'm doing it. 234 00:10:45,845 --> 00:10:49,725 Man, I'm doing it. Maybe I feel like I belong here. 235 00:10:49,782 --> 00:10:51,784 You know, I'm obviously doing something right, aren't I? 236 00:10:51,851 --> 00:10:53,091 People are taking notice. 237 00:10:55,254 --> 00:10:57,427 This was supposed to be low-profile. 238 00:10:57,490 --> 00:11:00,369 Now you're getting your picture in a magazine. 239 00:11:00,426 --> 00:11:02,372 I mean, that could bite you in the ass. 240 00:11:02,428 --> 00:11:03,429 You coming in? 241 00:11:03,496 --> 00:11:06,204 I need to get some cocktail attire for Brandon's little shindig. 242 00:11:06,265 --> 00:11:07,505 Right. 243 00:11:07,566 --> 00:11:08,772 What? 244 00:11:08,834 --> 00:11:10,745 What, now, you have a problem with me buying clothes? 245 00:11:11,671 --> 00:11:13,116 I'm gonna wait outside. 246 00:11:14,440 --> 00:11:17,080 Look, I know why you're pissed off, 247 00:11:17,143 --> 00:11:20,750 and if it were up to me, trust me, you'd be coming to the dinner too. 248 00:11:20,813 --> 00:11:22,417 That's why you think I'm pissed off? 249 00:11:22,481 --> 00:11:23,687 Well? 250 00:11:23,749 --> 00:11:25,854 Well... Why don't you go buy your $1,000 suit, 251 00:11:25,918 --> 00:11:29,456 and then you can, uh, roll up to your big fancy party in that busted rig. 252 00:11:29,522 --> 00:11:31,092 That'll make an impression. 253 00:11:31,157 --> 00:11:33,398 Aw, shit. 254 00:11:33,459 --> 00:11:35,268 No. No, I'm just messing with you. 255 00:11:35,327 --> 00:11:37,068 - No, you're right. - No, I'm messing with you. 256 00:11:37,129 --> 00:11:39,905 That car, that's, that's a classic. It's a classic. 257 00:11:39,965 --> 00:11:42,002 - Maybe I can lease one. - Will you stop? 258 00:12:46,198 --> 00:12:47,609 What up? What do you mean? 259 00:12:48,701 --> 00:12:49,873 So what? 260 00:12:50,669 --> 00:12:52,774 Yeah, bro. I gotta go. Right. See you. 261 00:13:11,657 --> 00:13:14,661 Hmm. Oh, yeah. 262 00:13:15,194 --> 00:13:16,400 You know, it occurs to me. 263 00:13:16,462 --> 00:13:19,272 Emma's gonna need to do an accent for this role. 264 00:13:19,331 --> 00:13:22,608 She's got natural talent but there's a technique to that sort of thing. 265 00:13:22,668 --> 00:13:23,772 Just have her use yours. 266 00:13:24,270 --> 00:13:26,250 Oh, yeah. No, I would. 267 00:13:26,305 --> 00:13:28,046 Only I'm Irish and the character's British, 268 00:13:28,107 --> 00:13:29,780 which is a completely different fuckin' thing. 269 00:13:29,842 --> 00:13:32,186 - Uh, is it? Mm... - Black or Burgundy? 270 00:13:33,679 --> 00:13:34,783 Burgundy. 271 00:13:35,781 --> 00:13:38,421 I actually picked up a flyer in the lobby. 272 00:13:38,484 --> 00:13:40,657 A guy who, uh, does acting lessons. 273 00:13:41,821 --> 00:13:44,961 "A safe place for kids to connect with their inner artist. 274 00:13:45,825 --> 00:13:49,602 "Study character development and work with an experienced dialect coach." 275 00:13:49,662 --> 00:13:52,404 Yeah. Well, I mean, if you think she needs that kind of thing. 276 00:13:52,464 --> 00:13:55,775 If Katie agrees, I suppose she'll have to drive Emma up here for a few days. 277 00:13:55,835 --> 00:13:57,712 - Ah. I see what you're doing. - MILES: Huh? 278 00:13:57,770 --> 00:13:59,511 Now I know what this is about. 279 00:14:00,406 --> 00:14:02,181 "Acting lessons." Right? 280 00:14:02,241 --> 00:14:04,152 Oh! Fuck. I nearly forgot. 281 00:14:04,210 --> 00:14:05,985 You have a meeting tomorrow with April Quinn. 282 00:14:06,745 --> 00:14:07,780 Of what? 283 00:14:07,847 --> 00:14:10,020 She wants to have a little chat about the script. 284 00:14:10,082 --> 00:14:11,083 It's not a big deal. 285 00:14:11,517 --> 00:14:13,793 "It's not a big deal?" What's does, what does that mean? 286 00:14:13,853 --> 00:14:16,163 The script's already good, right? 287 00:14:16,222 --> 00:14:18,702 So, if she wants you to make some changes, I'm sure she'll tell you what. 288 00:14:18,757 --> 00:14:20,293 I haven't read the thing! 289 00:14:24,396 --> 00:14:25,534 Here you go. 290 00:14:25,598 --> 00:14:26,702 (swans) 291 00:14:31,170 --> 00:14:32,444 This is, like, 100 pages. 292 00:14:32,504 --> 00:14:34,040 It's double-spaced. 293 00:14:35,641 --> 00:14:38,645 I have to read this whole thing? Fuck me. 294 00:14:40,346 --> 00:14:41,848 (INDISTINCT CONVERSATIONS) 295 00:14:45,618 --> 00:14:47,120 Yo. You talk to her? 296 00:14:49,655 --> 00:14:50,656 And? 297 00:14:51,724 --> 00:14:53,328 She said she can't do anything. 298 00:14:53,659 --> 00:14:55,002 What do you mean? 299 00:14:55,060 --> 00:14:56,596 She said the kid didn't work for her. 300 00:14:56,662 --> 00:14:59,575 Yeah, but he worked for me, and I work for her. 301 00:15:02,167 --> 00:15:03,510 So that's it? 302 00:15:03,569 --> 00:15:05,048 We just let it go? 303 00:15:05,104 --> 00:15:06,378 (SCOFFS) 304 00:15:06,438 --> 00:15:09,419 Mmm. Bro, that is fucked up. 305 00:15:09,875 --> 00:15:11,582 We don't even know ifJosias did it. 306 00:15:11,644 --> 00:15:15,217 Who else? Man, they put a hole in his chest! 307 00:15:15,281 --> 00:15:18,626 Man, Amara needs to look after her people, bro! 308 00:15:18,684 --> 00:15:21,665 I bet Josias looked after his crew better than this shit. 309 00:15:22,655 --> 00:15:23,725 What did you say? 310 00:15:24,990 --> 00:15:26,492 (swans) 311 00:15:29,194 --> 00:15:30,605 What the fuck did you say? 312 00:15:30,663 --> 00:15:32,802 Listen. Just chill out, all right? 313 00:15:34,166 --> 00:15:35,770 Don't fucking talk like that. 314 00:15:43,976 --> 00:15:46,980 Yo, bro, I'm with you all the way. 315 00:15:48,047 --> 00:15:50,789 Amara, too. You know that. 316 00:15:57,589 --> 00:16:01,833 Glasses Kid, he was my boy, that's all. 317 00:16:06,799 --> 00:16:09,837 (SCRATCHING UTENSILS) 318 00:16:17,676 --> 00:16:18,780 What are you doing? 319 00:16:19,244 --> 00:16:21,850 Oh. Hey, I'm just, uh... (CLEARS THROAT) 320 00:16:21,914 --> 00:16:24,451 I'm just washing the roasting pan. 321 00:16:24,516 --> 00:16:26,291 I feel like it's soaked long enough. 322 00:16:27,086 --> 00:16:28,190 At 4:00 a.m.? 323 00:16:29,989 --> 00:16:31,297 I couldn't sleep. 324 00:16:31,824 --> 00:16:33,326 So I thought, I'd make myself useful. 325 00:16:33,392 --> 00:16:34,803 I didn't, I didn't wake you up, did I? 326 00:16:35,627 --> 00:16:39,404 No, I just... The Xanax isn't helping? 327 00:16:40,566 --> 00:16:42,204 I feel more calm, 328 00:16:44,203 --> 00:16:47,116 but I can't sleep. I think that's what's killing my golf game. 329 00:16:47,606 --> 00:16:48,676 EMMA: Mom? 330 00:16:49,641 --> 00:16:51,382 Emma, go to sleep. 331 00:16:51,443 --> 00:16:52,513 What, what's happening? 332 00:16:52,578 --> 00:16:53,613 Nothing, Jeffery's just... 333 00:16:53,679 --> 00:16:55,886 I'm just cleaning up, sweetheart. That's all. 334 00:16:56,615 --> 00:16:57,685 Now? 335 00:16:59,952 --> 00:17:01,693 Yeah, we'll both go to bed. 336 00:17:04,323 --> 00:17:06,200 Are you sure there isn't anything I... 337 00:17:06,258 --> 00:17:08,534 No. You go. I'm good. Really. 338 00:17:09,962 --> 00:17:11,066 KATIE: Okay. 339 00:17:18,837 --> 00:17:19,907 Hey. Nice view? 340 00:17:20,672 --> 00:17:22,948 The actor from Ant-Man just went into that porta-potty. 341 00:17:23,108 --> 00:17:24,746 Took a picture for my daughter. 342 00:17:24,810 --> 00:17:27,222 Ah. The glamour of Hollywood, right? 343 00:17:27,279 --> 00:17:28,690 Listen. You got a second? 344 00:17:28,747 --> 00:17:31,318 - Sure. - Yeah. Just, sit down. 345 00:17:31,884 --> 00:17:33,557 (SNIFFLES, GRUNTS) 346 00:17:33,619 --> 00:17:37,624 Look, right now, we got buzz. 347 00:17:38,257 --> 00:17:40,737 We're, we're in the trades, people are talking. 348 00:17:40,793 --> 00:17:41,897 Mm-hmm. 349 00:17:41,960 --> 00:17:45,464 This is the time to set up our next film. 350 00:17:45,531 --> 00:17:48,876 Yeah. So when Admirals Mistress comes out, 351 00:17:50,002 --> 00:17:53,313 you know, maybe, despite all our best efforts, it's not so great... 352 00:17:53,372 --> 00:17:54,476 Why is it not so great? 353 00:17:55,207 --> 00:17:57,778 Or you like it but the critics shit on it. 354 00:17:57,843 --> 00:17:59,982 The world moves on, you get left behind. 355 00:18:00,045 --> 00:18:01,581 That's a sunny prediction. 356 00:18:02,581 --> 00:18:05,391 What we do now is, we go now to Amara 357 00:18:06,218 --> 00:18:09,597 and we say, "Congratulations, you made a profit on this last film! 358 00:18:09,655 --> 00:18:11,532 "You know, 10, 20 percent, whatever it is. 359 00:18:11,590 --> 00:18:14,264 "Why not put some of that money into another film?" 360 00:18:14,326 --> 00:18:15,430 No. 361 00:18:16,728 --> 00:18:19,538 You know, "Given your, your, your passion for cinema," 362 00:18:19,598 --> 00:18:21,407 etcetera, etcetera. 363 00:18:21,467 --> 00:18:23,140 We're not asking Amara for more money. 364 00:18:23,735 --> 00:18:25,681 - Why not? - It's a bad idea. 365 00:18:27,172 --> 00:18:28,207 Because... 366 00:18:28,273 --> 00:18:30,412 Listen, you want to set up another movie? 367 00:18:30,476 --> 00:18:32,752 Great, we'll find another investor. 368 00:18:32,811 --> 00:18:34,586 I mean, if you know people, and more... 369 00:18:34,646 --> 00:18:36,683 It's, it's okay for me to bring you an investor 370 00:18:36,748 --> 00:18:39,456 but you don't wanna share Amara? 371 00:18:39,518 --> 00:18:43,261 Rick, I'm better off without Amara 372 00:18:44,123 --> 00:18:45,261 and so are you. 373 00:18:48,794 --> 00:18:49,795 Is that right? 374 00:18:49,862 --> 00:18:51,273 That's right. 375 00:18:53,966 --> 00:18:55,536 All right. Think about it. 376 00:18:58,470 --> 00:18:59,608 And, Rick. 377 00:18:59,671 --> 00:19:02,982 Let me be the one to tell her about this business with the studio. 378 00:19:03,041 --> 00:19:04,543 Yeah, yeah, you handle it. 379 00:19:05,310 --> 00:19:07,290 All right. See you in April's office. 380 00:19:07,346 --> 00:19:08,450 Yeah, I'll see you there. 381 00:19:10,849 --> 00:19:14,524 First of all, Louis, it's such an honor to have you here. 382 00:19:14,586 --> 00:19:18,557 And to realize the man behind The Admirals Mistress isn't British! 383 00:19:18,624 --> 00:19:21,537 (CHUCKLES) No. No, not British. 384 00:19:22,327 --> 00:19:24,307 You must have done a lot of research. 385 00:19:28,734 --> 00:19:30,577 So, my biggest note 386 00:19:30,636 --> 00:19:33,674 and I do know writers hate this word. 387 00:19:33,739 --> 00:19:37,312 But in the second half, when Felton becomes the Admiral... 388 00:19:37,376 --> 00:19:40,823 ls there a way to make that character more sympathetic? 389 00:19:48,554 --> 00:19:51,364 Uh, the, uh, character, the Admiral character. 390 00:19:51,423 --> 00:19:54,233 Right, right, right. Right. 391 00:19:56,428 --> 00:19:57,668 So you're thinking... 392 00:19:57,729 --> 00:19:58,833 More sympathetic. 393 00:19:59,331 --> 00:20:00,435 The Admiral. 394 00:20:07,472 --> 00:20:10,510 Emphasize his courage, the innocence he's retained. 395 00:20:10,576 --> 00:20:12,522 I know he becomes a war profiteer, 396 00:20:12,578 --> 00:20:15,422 but maybe he was forced into it? 397 00:20:16,315 --> 00:20:17,953 Uh... (CLEARS THROAT) So, forced. 398 00:20:20,552 --> 00:20:21,656 No? 399 00:20:25,023 --> 00:20:26,400 The reason he's a puppeteer... 400 00:20:26,458 --> 00:20:28,904 Profiteer. He's a profiteer. 401 00:20:28,961 --> 00:20:30,838 I think the important thing to remember 402 00:20:30,896 --> 00:20:33,502 is where he's coming from, emotionally. 403 00:20:33,565 --> 00:20:35,203 - Right, Louis? - Mm-hmm. Mm-hmm. 404 00:20:35,267 --> 00:20:36,803 I mean, he's obviously doing it for love. 405 00:20:36,868 --> 00:20:38,040 Yeah, no, I get that. 406 00:20:38,103 --> 00:20:41,550 But I'm sensing that Louis has a different take on this. 407 00:20:41,974 --> 00:20:43,510 - Oh, yeah? - APRIL: Yeah. 408 00:20:45,344 --> 00:20:46,652 How do you see it? 409 00:20:48,080 --> 00:20:49,684 Um... (SIGHS) 410 00:20:50,182 --> 00:20:53,186 Well, that was during the war. 411 00:20:53,252 --> 00:20:57,701 So, I mean, right there. 412 00:20:59,091 --> 00:21:01,332 I mean, the flip side of that coin... 413 00:21:01,994 --> 00:21:04,770 The flip side of war is peace. 414 00:21:04,830 --> 00:21:06,104 It's peace. 415 00:21:07,165 --> 00:21:11,705 Um, so, basically, when, when you're looking at the Admiral, 416 00:21:12,037 --> 00:21:13,380 you, um... 417 00:21:15,974 --> 00:21:17,180 What was the question? 418 00:21:17,242 --> 00:21:18,243 (TELEPHONE RINGING) 419 00:21:18,877 --> 00:21:20,151 Moreweather Productions. 420 00:21:20,545 --> 00:21:21,819 CAROLINE: ls Owen there? 421 00:21:21,880 --> 00:21:24,986 - GLADYS: (ON TELEPHONE) Who? - CAROLINE: Owen Eidler. 422 00:21:25,050 --> 00:21:28,361 He wrote the movie you're making. The Admiral 's Mistress. 423 00:21:29,121 --> 00:21:31,328 GLADYS: Our script was written by Louis Darnell. 424 00:21:31,390 --> 00:21:33,700 (SCOFFS) No, it was not. 425 00:21:33,759 --> 00:21:36,467 - Who is this? -0wen's girlfriend, Caroline. 426 00:21:36,528 --> 00:21:38,872 Or ex-girlfriend, I'm not sure. 427 00:21:38,930 --> 00:21:42,275 Caroline, I'd be happy to forward your information to our attorney. 428 00:21:42,334 --> 00:21:43,608 CAROLINE: I have both copies. 429 00:21:43,669 --> 00:21:45,876 Owen's and the one that says, "Louis Darnell". 430 00:21:45,937 --> 00:21:49,612 And they're the same script. I mean word for word. 431 00:21:49,675 --> 00:21:53,020 So, either Owen's using a pen name 432 00:21:53,078 --> 00:21:55,524 or you guys bought the script and... 433 00:21:56,281 --> 00:21:57,760 You know what? I don't care what happened. 434 00:21:57,816 --> 00:21:59,420 I just need to find Owen. 435 00:21:59,484 --> 00:22:00,895 I don't know who that is. 436 00:22:00,952 --> 00:22:02,329 Well, somebody knows. 437 00:22:02,387 --> 00:22:04,867 And they better call me back like today. 438 00:22:04,923 --> 00:22:05,924 What was that number? 439 00:22:05,991 --> 00:22:07,527 CAROUNE: It's four-one-five... 440 00:22:07,592 --> 00:22:09,196 Thanks so much for coming in Louis. 441 00:22:09,261 --> 00:22:11,207 We're all really excited about this project. 442 00:22:12,130 --> 00:22:13,302 Me, too. 443 00:22:13,365 --> 00:22:14,810 Everybody wins! Take care. 444 00:22:14,866 --> 00:22:16,311 Thanks, buddy. Good job. 445 00:22:18,236 --> 00:22:19,340 I'll see you in a bit. 446 00:22:22,974 --> 00:22:25,386 I have a relationship with Julian Pynter. Any objections? 447 00:22:25,444 --> 00:22:26,684 - Oh. - Julian who? 448 00:22:26,745 --> 00:22:28,656 Pynter. Yeah. He's a big deal. 449 00:22:28,714 --> 00:22:30,921 Did uncredited work on Lethal Limit Three. 450 00:22:30,982 --> 00:22:32,586 Wrote Consequence, Braithwaite Park... 451 00:22:32,651 --> 00:22:33,994 Hey. Fine by me. 452 00:22:34,052 --> 00:22:35,861 Hold on, are w... 453 00:22:35,921 --> 00:22:37,992 Are we talking about firing Louis? 454 00:22:40,659 --> 00:22:42,570 It's a bit rash, isn't this? Just 'cause he's... 455 00:22:47,999 --> 00:22:49,000 Yeah, all right. 456 00:22:50,936 --> 00:22:52,006 Gladys. 457 00:22:52,070 --> 00:22:53,242 - GLADYS: Yes. - Poster. 458 00:22:54,172 --> 00:22:55,947 I left a message with facilities. 459 00:22:56,007 --> 00:22:58,009 Wait, wait, wait. Look at this. Look at this. 460 00:22:58,076 --> 00:23:00,920 I can hang from it. I'm hanging. See this? 461 00:23:00,979 --> 00:23:02,788 Yeah, I think they welded it to the wall. 462 00:23:03,315 --> 00:23:04,487 When did you make that movie? 463 00:23:05,951 --> 00:23:09,296 20 years ago. Ambitious film, cost a fortune. 464 00:23:10,222 --> 00:23:11,792 Everybody hated it. 465 00:23:11,857 --> 00:23:13,336 But I learned something from it. 466 00:23:13,392 --> 00:23:16,168 I realized, what the hell am I trying to prove? 467 00:23:16,328 --> 00:23:17,932 With age comes wisdom, Gladys. 468 00:23:17,996 --> 00:23:19,634 It's good to know. 469 00:23:20,565 --> 00:23:21,600 What's that? 470 00:23:21,666 --> 00:23:24,442 List of potential directors from the studio. I can roll calls. 471 00:23:24,569 --> 00:23:25,912 No, no. No, no. 472 00:23:25,971 --> 00:23:27,678 I got another call I want you to make. 473 00:23:28,740 --> 00:23:30,185 (TELEPHONE RINGING) 474 00:23:31,810 --> 00:23:32,845 AMARA: Yeah? 475 00:23:32,911 --> 00:23:36,051 GLADYS: {ON PHONE} lira ve producer Rick 1W are wea ti? er calling for Amara. 476 00:23:36,114 --> 00:23:37,218 AMARA: This is Amara. 477 00:23:38,817 --> 00:23:41,161 Amara, hi. Hi, it's Rick. 478 00:23:41,219 --> 00:23:44,325 Yes, we, we, uh, we met a few days ago. 479 00:23:44,389 --> 00:23:46,266 Listen, I know you're in touch with Miles. 480 00:23:46,324 --> 00:23:48,167 I just thought I would reach out. 481 00:23:48,226 --> 00:23:49,500 Okay, Ricky. 482 00:23:49,561 --> 00:23:52,770 Yeah, well, so, uh, I have a number of projects that I'm producing. 483 00:23:52,831 --> 00:23:55,903 And given how well we did the first time around, 484 00:23:55,967 --> 00:23:57,969 and your passion for cinema, 485 00:23:58,670 --> 00:24:01,014 maybe you want to produce another movie? 486 00:24:01,973 --> 00:24:03,077 Yes. 487 00:24:03,542 --> 00:24:07,217 Yes, okay. Okay, great. 488 00:24:07,279 --> 00:24:10,817 I have a script. Uh, it's, um, Gates off lawn. 489 00:24:10,882 --> 00:24:13,385 Oh. This, it's a true story. 490 00:24:13,452 --> 00:24:14,795 It, it's set in Hanoi... 491 00:24:14,853 --> 00:24:17,356 We do this after we finish the first movie, yes? 492 00:24:17,923 --> 00:24:23,930 Uh, well, did Miles tell you Gravity Pictures acquired Admirals Mistress? 493 00:24:25,764 --> 00:24:27,072 Gravity Pictures... 494 00:24:27,132 --> 00:24:28,975 Yes, you know. They're, they're buying you out. 495 00:24:29,734 --> 00:24:31,338 They what? 496 00:24:31,403 --> 00:24:34,350 They're buying out your, your distribution rights, 497 00:24:34,406 --> 00:24:36,386 which, it means you've already made a profit. 498 00:24:36,441 --> 00:24:37,852 We just don't know how much yet. 499 00:24:38,877 --> 00:24:40,220 I'm out? 500 00:24:40,278 --> 00:24:43,316 Which is why I'm calling, so we can set up our next thing. 501 00:24:43,582 --> 00:24:44,686 Why am I out? 502 00:24:46,852 --> 00:24:49,958 Well, it's, it's complicated. 503 00:24:50,021 --> 00:24:54,401 It's... A studio came in, and it became a bigger picture. 504 00:24:54,459 --> 00:24:57,099 And, and they don't want to co-produce, so... 505 00:24:58,630 --> 00:25:00,337 Does Miles know? 506 00:25:00,398 --> 00:25:01,900 FUCK: Does he know that they bought you out? 507 00:25:01,967 --> 00:25:03,503 Yes. Yeah, he knows. 508 00:25:03,568 --> 00:25:06,276 He... I'm sure he was gonna call you, 509 00:25:06,338 --> 00:25:10,184 -and... Hello? Uh... -(CALL DISCONNECTS) 510 00:25:12,744 --> 00:25:14,746 I didn't have time to prepare. If you'd let me know. 511 00:25:14,813 --> 00:25:15,848 If you'd give me some heads-up, I'd... 512 00:25:15,914 --> 00:25:17,359 Lulu, Lulu. Look here, this is how it works, all right? 513 00:25:17,415 --> 00:25:18,416 Somebody writes the script 514 00:25:18,483 --> 00:25:20,053 and then they get somebody else to do the rewrite. 515 00:25:20,118 --> 00:25:21,392 Why do you care? 516 00:25:21,453 --> 00:25:22,898 You could have stuck up for me. 517 00:25:24,055 --> 00:25:25,227 Well, I did think about it. 518 00:25:25,290 --> 00:25:27,270 But then I remembered, you're not a fucking writer. 519 00:25:28,460 --> 00:25:29,803 How are you gonna do a rewrite? 520 00:25:29,861 --> 00:25:32,467 Oh, look at that. That is a beautiful car. 521 00:25:32,531 --> 00:25:33,976 You know, even if you do lease, 522 00:25:34,032 --> 00:25:36,444 I don't know see how you can afford that. 523 00:25:36,501 --> 00:25:38,174 And I would not go electric. 524 00:25:38,236 --> 00:25:39,772 What happens if the battery runs out? 525 00:25:40,872 --> 00:25:42,180 You fucking charge it. 526 00:25:42,240 --> 00:25:43,913 What if there's no charger? 527 00:25:43,975 --> 00:25:45,079 Seriously, I mean you got to... 528 00:25:45,143 --> 00:25:47,453 You know, you got the suit and the car and the... 529 00:25:49,314 --> 00:25:50,554 I think you're trying too hard. 530 00:25:51,182 --> 00:25:53,219 Well, no one's gonna accuse you of that. 531 00:25:53,952 --> 00:25:55,397 What's that mean? 532 00:25:55,453 --> 00:25:58,559 Look, you don't like the whole LA thing. Fine. 533 00:25:58,623 --> 00:26:01,467 But if this is gonna work at least one of us needs to raise our game. 534 00:26:04,162 --> 00:26:05,698 Okay, well, I said that I'd come out here 535 00:26:05,764 --> 00:26:07,175 until you were on your feet. 536 00:26:08,133 --> 00:26:09,271 And clearly you are. 537 00:26:10,302 --> 00:26:11,781 I'm not even the writer anymore, 538 00:26:11,836 --> 00:26:13,577 so maybe I'll head back to Pahrump tomorrow. 539 00:26:13,638 --> 00:26:15,117 Ah, no. Hold on. Hold on. Louis. 540 00:26:15,173 --> 00:26:18,279 Mercedes makes a jeep? Now that's a fucking car! 541 00:26:28,219 --> 00:26:30,256 - Good afternoon. - Hey. Thank you. 542 00:26:33,625 --> 00:26:35,400 (CELL PHONE RINGING) 543 00:26:36,661 --> 00:26:37,765 Amara! Hi. 544 00:26:37,996 --> 00:26:40,067 AMARA: I call to see what's happening with my movie. 545 00:26:40,131 --> 00:26:42,338 Oh. You want an update, uh, of course. 546 00:26:42,901 --> 00:26:46,940 Um, let me think, we brought on a new writer. 547 00:26:47,772 --> 00:26:51,083 Yeah, I mean, the script was solid but there's always room for improvement. 548 00:26:51,142 --> 00:26:53,281 And I thought it would be a good idea to make that Felton character 549 00:26:53,345 --> 00:26:54,847 a little more sympathetic. 550 00:26:54,913 --> 00:26:56,756 That got me thinking of Julian Pynter, 551 00:26:56,815 --> 00:26:58,123 I don't know if you're familiar with his work. 552 00:26:58,183 --> 00:27:00,356 He's a big, award-winning writer 553 00:27:00,418 --> 00:27:02,762 and, uh, Julian said yes. 554 00:27:02,821 --> 00:27:04,528 So that's exciting. 555 00:27:04,589 --> 00:27:05,897 And, um... 556 00:27:07,626 --> 00:27:08,969 That's pretty much it. 557 00:27:09,928 --> 00:27:11,032 That's it? 558 00:27:11,896 --> 00:27:13,273 MILES: For now, yeah. 559 00:27:14,232 --> 00:27:16,303 Thank you for telling me. 560 00:27:16,368 --> 00:27:17,642 MILES: Sure. Sure. 561 00:27:17,702 --> 00:27:18,840 Hello? 562 00:27:21,006 --> 00:27:22,417 (BEEPS) 563 00:27:25,944 --> 00:27:28,151 (INDISTINCT CONVERSATIONS) 564 00:27:44,396 --> 00:27:46,535 Hi. I'm Miles. 565 00:27:46,598 --> 00:27:48,202 Hi, Miles. Nice to meet you. I'm Sarah. 566 00:27:48,266 --> 00:27:50,109 Sarah? I feel like we've met before, no? 567 00:27:50,168 --> 00:27:53,445 You seen the bathroom here? The urinal is an actual waterfall. 568 00:27:53,505 --> 00:27:54,677 Wait. Don't... Why would you... 569 00:27:54,739 --> 00:27:56,810 - Oh. Was I interrupting? - Yeah. 570 00:27:56,875 --> 00:27:59,583 She's not your type. Look at this. Here you go. 571 00:28:00,879 --> 00:28:02,415 From Stamos, with love. 572 00:28:03,782 --> 00:28:05,853 - Wait. This is, this is great. - Mm. 573 00:28:05,917 --> 00:28:08,523 Ah, thanks for doing... It's not fucking real, is it? 574 00:28:08,586 --> 00:28:10,259 Like Amara's gonna know the difference. 575 00:28:10,321 --> 00:28:12,631 Did you at least go online and see if that's his autograph? 576 00:28:12,691 --> 00:28:13,795 You're over-thinking it. 577 00:28:13,858 --> 00:28:16,498 Come on, let me introduce you to a few folks. 578 00:28:17,362 --> 00:28:18,864 I can't give this to her. 579 00:28:20,098 --> 00:28:22,942 Your forgery standards are much higher than mine, I guess. 580 00:28:23,001 --> 00:28:25,538 How about this place, huh? Fucking crazy. 581 00:28:25,603 --> 00:28:27,082 When did men get so pretty? 582 00:28:27,138 --> 00:28:28,947 RICK: Oh, the... Let me get rid of this. 583 00:28:31,743 --> 00:28:32,778 Thank you, guys. 584 00:28:32,844 --> 00:28:34,448 Hey, who's the, who's the bald guy over there? 585 00:28:34,512 --> 00:28:35,582 He looks important. 586 00:28:36,648 --> 00:28:38,525 That guy... Yeah, he used to run Warner Brothers. 587 00:28:38,583 --> 00:28:40,494 We don't get along, me and him. 588 00:28:40,552 --> 00:28:41,724 Come on. 589 00:28:41,786 --> 00:28:43,094 Oh, this woman herein the blue... 590 00:28:43,154 --> 00:28:45,566 - MILES: Yeah? - She's the, uh, VP of Fox Searchlight. 591 00:28:45,623 --> 00:28:48,001 MILES: No shit. RICK: She slapped me once. 592 00:28:48,059 --> 00:28:49,333 (MILES CHUCKLES) 593 00:28:49,394 --> 00:28:52,603 Listen, I overheard two conversations about our movie, 594 00:28:52,664 --> 00:28:54,405 and someone's already threatened to sue us. 595 00:28:54,466 --> 00:28:57,140 This is how you know it's hot. It's hot now. 596 00:28:57,202 --> 00:28:58,374 Someone want to sue us? 597 00:28:58,436 --> 00:29:00,541 Yeah, some, uh... Thank you. 598 00:29:00,605 --> 00:29:02,209 Whacko called the office. 599 00:29:02,273 --> 00:29:04,275 You know, "Boyfriend wrote the script 600 00:29:04,342 --> 00:29:06,117 "and you're stealing it from us." 601 00:29:06,745 --> 00:29:08,452 Did she leave a name? 602 00:29:10,081 --> 00:29:11,389 The boyfriends name? I don't know. 603 00:29:11,449 --> 00:29:13,429 Owen, or something. Gladys took the call. 604 00:29:13,485 --> 00:29:15,431 MILES: That's funny. And that happened today? 605 00:29:15,487 --> 00:29:17,467 RICK: Before. When we were... APRIL: They're here! 606 00:29:17,522 --> 00:29:19,160 The creative dream team! 607 00:29:19,657 --> 00:29:21,398 - Ms. Quinn. - Enjoying yourself? 608 00:29:21,459 --> 00:29:23,905 Oh, celebrating the week I've had. 609 00:29:23,962 --> 00:29:27,273 Maybe you heard, Brandon took me off Lethal Limit Four. 610 00:29:27,332 --> 00:29:28,333 No. Why? 611 00:29:28,399 --> 00:29:30,743 Well, to focus on The Admirals Mistress, silly! 612 00:29:30,802 --> 00:29:33,783 Since that's where my passion lies. (CHUCKLES) 613 00:29:33,838 --> 00:29:36,444 And he doesn't want me spreading myself too thin. 614 00:29:36,508 --> 00:29:38,681 - Shit. April, I'm sorry. - No, you're not. 615 00:29:38,743 --> 00:29:40,780 You have a schadenfreude hard-on. 616 00:29:41,846 --> 00:29:43,325 That sounds painful. 617 00:29:43,381 --> 00:29:46,828 Excuse me, guys. I gotta see what it feels like to piss in a waterfall. 618 00:29:50,155 --> 00:29:52,328 You're indispensable to that company. 619 00:29:52,390 --> 00:29:54,836 In another week, you're gonna have a big film. 620 00:29:54,893 --> 00:29:55,997 Yes, I will. 621 00:29:56,060 --> 00:29:59,200 And you'll still be a sad, washed-up hack living in your father's shadow. 622 00:29:59,264 --> 00:30:01,175 Do you want another martini? I'm gonna get one. 623 00:30:05,737 --> 00:30:07,148 Was that necessary? 624 00:30:08,540 --> 00:30:10,349 Wait. Does she think Owen wrote the script 625 00:30:10,408 --> 00:30:12,046 or can she prove it? 626 00:30:12,110 --> 00:30:13,680 No, she seems pretty sure. 627 00:30:14,379 --> 00:30:16,655 You wanna handle it? I think Gladys has her number. 628 00:30:16,714 --> 00:30:20,856 Hey, asshole. You want to conduct business? 629 00:30:21,953 --> 00:30:23,557 I think you should go somewhere else. 630 00:30:24,556 --> 00:30:26,058 Fuck off. 631 00:30:26,124 --> 00:30:28,832 Yeah. Give Gladys a call and get right back to me, okay? 632 00:30:34,065 --> 00:30:35,169 Problem, old man? 633 00:30:36,234 --> 00:30:38,407 I come here to look at the ocean, now I'm looking at you. 634 00:30:38,469 --> 00:30:40,540 You stand before me talking on the phone, 635 00:30:40,605 --> 00:30:42,744 like I need to hear that kind of bullshit. 636 00:30:43,308 --> 00:30:44,378 Well, I'm off it now. 637 00:30:44,442 --> 00:30:45,819 Yeah, so why don't you move along? 638 00:30:49,614 --> 00:30:51,355 If you want to get a better look at the ocean, 639 00:30:51,416 --> 00:30:53,794 I could always pitch you over the fuckin' cliff. 640 00:30:55,587 --> 00:30:56,622 Yeah? 641 00:30:57,589 --> 00:30:58,590 That's your house? 642 00:30:59,390 --> 00:31:00,494 No, I'm at a party. 643 00:31:01,659 --> 00:31:02,831 I hate parties. 644 00:31:03,962 --> 00:31:05,771 Well, you seem like such a people person. 645 00:31:06,831 --> 00:31:09,209 Yeah. I am. Hafdis. 646 00:31:12,570 --> 00:31:13,674 Miles. 647 00:31:14,205 --> 00:31:18,176 I'm sorry. My hands are a little clammy. You know, so... 648 00:31:21,112 --> 00:31:22,489 You from around here, Hafdis? 649 00:31:22,547 --> 00:31:24,458 Yeah. That way. 650 00:31:25,016 --> 00:31:26,051 That way? 651 00:31:26,117 --> 00:31:27,425 HAFDIS: Yeah. 652 00:31:27,485 --> 00:31:28,589 Okay. 653 00:31:31,256 --> 00:31:34,635 And, you, you're entertainment business, right? 654 00:31:36,427 --> 00:31:38,407 I'm pretending to be a movie producer. 655 00:31:38,930 --> 00:31:39,965 Yeah? 656 00:31:40,031 --> 00:31:42,944 - How about you? - I was in New Zealand for quite a while. 657 00:31:43,001 --> 00:31:46,915 Now I'm here, trying to outwit the hounds of folly. 658 00:31:48,072 --> 00:31:49,176 How's that going? 659 00:31:49,674 --> 00:31:51,278 How's the movie-producing going? 660 00:31:53,211 --> 00:31:55,418 I don't have a fucking clue what I'm doing. 661 00:31:55,480 --> 00:31:56,857 But it doesn't seem to be a problem. 662 00:31:56,915 --> 00:31:58,155 (HAFDIS LAUGHS) 663 00:31:59,217 --> 00:32:00,389 You want a smoke? 664 00:32:01,619 --> 00:32:02,620 I got these. 665 00:32:03,087 --> 00:32:05,397 But he's not a bad doctor, he's just behind the curve. 666 00:32:05,490 --> 00:32:06,491 JEFFREY: Mm-hmm. 667 00:32:06,557 --> 00:32:08,662 And the Gummy Bear option is more cohesive. 668 00:32:08,726 --> 00:32:10,069 It's form-stable. 669 00:32:10,128 --> 00:32:13,109 But Consadine goes with the traditional implants, always. 670 00:32:13,164 --> 00:32:16,668 You know, like there's one answer for all the different women who come in. 671 00:32:16,734 --> 00:32:18,577 (CRIES) 672 00:32:22,440 --> 00:32:23,544 What? 673 00:32:25,877 --> 00:32:28,858 (GRUNTS) No, I'm good. I'm good. 674 00:32:28,913 --> 00:32:31,189 No. Stop saying you're good. You are not good. 675 00:32:31,249 --> 00:32:32,455 I'm fine. 676 00:32:32,517 --> 00:32:34,360 (SIGHS) Jeffrey... 677 00:32:36,020 --> 00:32:37,226 Something happened. 678 00:32:37,855 --> 00:32:38,959 What? 679 00:32:40,291 --> 00:32:41,634 When I went to Miles' place... 680 00:32:42,160 --> 00:32:44,197 - Fuck. What did he do? - He didn't do anything. 681 00:32:44,262 --> 00:32:46,868 - Be honest. - And Miles is the one who saved me. 682 00:32:47,799 --> 00:32:50,211 He had this, um, like, a neighbor. 683 00:32:51,102 --> 00:32:53,412 And I blocked the guy in with my car... 684 00:32:53,471 --> 00:32:56,543 (DEEP BREATH) And he went insane. 685 00:32:57,141 --> 00:32:59,212 Like, he pulled out a gun. And then... 686 00:32:59,277 --> 00:33:00,381 Shit. 687 00:33:01,579 --> 00:33:03,081 The TK-five-oh-nine. 688 00:33:03,948 --> 00:33:05,791 - What? - That's my golf club. 689 00:33:06,451 --> 00:33:08,829 He jammed the grip into my mouth... 690 00:33:10,488 --> 00:33:11,523 (SNIFFLES) 691 00:33:11,589 --> 00:33:13,398 I can still taste the Gore-Tex. 692 00:33:16,060 --> 00:33:17,164 (swans) 693 00:33:18,629 --> 00:33:23,840 It's about how we all carry around this image of a, of a better person. 694 00:33:23,901 --> 00:33:27,815 You know what we think, "lfl can be that person, I'll be happy." 695 00:33:28,673 --> 00:33:31,381 But all it does is fucking drive us crazy. You know? 696 00:33:33,544 --> 00:33:35,490 The Admirafs... 697 00:33:35,546 --> 00:33:38,493 Mistress. Sorry if this is boring you. 698 00:33:38,549 --> 00:33:39,619 (CELL PHONE RINGING) 699 00:33:39,684 --> 00:33:41,664 Oh, shit. I better take this. 700 00:33:41,719 --> 00:33:42,891 Yeah, please do. 701 00:33:44,622 --> 00:33:47,569 - Hey. - KATIE: (ON PHONE) [can't do it, Miles. 702 00:33:47,625 --> 00:33:48,729 What? 703 00:33:48,893 --> 00:33:50,930 KATIE: This, I can't do it. I can't. 704 00:33:50,995 --> 00:33:53,066 It seems like every time I get this far, we're back... 705 00:33:53,131 --> 00:33:54,940 - All right. Slow down, Katie. - KATIE: I talked with Jeffrey. 706 00:33:54,999 --> 00:33:56,603 I know what happened with the golf club. 707 00:33:56,667 --> 00:33:58,203 And don't tell me it was a neighbor. 708 00:33:59,470 --> 00:34:01,848 - Miles... - It was Yago. Okay. 709 00:34:01,906 --> 00:34:04,785 It was Yago. But I stopped it as soon as I could. 710 00:34:04,842 --> 00:34:06,480 I know that you're trying. 711 00:34:06,978 --> 00:34:08,423 I know it. But I... 712 00:34:08,746 --> 00:34:12,353 I can't have this in my life and neither can Emma. 713 00:34:15,153 --> 00:34:18,828 Okay. All right. Well, um, let's, let's talk about it. 714 00:34:18,890 --> 00:34:20,096 KATE". We have. 715 00:34:21,325 --> 00:34:23,396 And we've tried the separation thing, 716 00:34:25,196 --> 00:34:26,573 but maybe it's time for lawyers. 717 00:34:26,631 --> 00:34:28,338 No, no. No, no, no, no. Hold, hold on. 718 00:34:28,399 --> 00:34:29,400 Hold on, Katie. 719 00:34:29,467 --> 00:34:31,174 We'll get into it later, but that's what I called to say. 720 00:34:31,235 --> 00:34:32,737 - MILES: Allright. Just wait. - I'm sorry. 721 00:34:32,804 --> 00:34:34,841 Katie? Katie? 722 00:34:36,474 --> 00:34:38,647 - Fuck. -(CELL PHONE BEEPING) 723 00:34:39,310 --> 00:34:40,516 (LINE RINGING) 724 00:34:40,578 --> 00:34:41,716 (VOICEMAIL MESSAGE) Hi, this is Katie... 725 00:34:41,779 --> 00:34:42,883 Fuck. 726 00:34:47,251 --> 00:34:49,253 - It was, uh... - Nice meeting you, too. 727 00:34:59,230 --> 00:35:00,402 (DOOR OPENS) 728 00:35:02,200 --> 00:35:04,180 Got an address for the girlfriend. 729 00:35:04,669 --> 00:35:05,773 Great. 730 00:35:06,304 --> 00:35:08,682 We should head over before it gets late, 731 00:35:08,940 --> 00:35:10,419 or she's not gonna answer the door. 732 00:35:10,475 --> 00:35:13,388 Yeah. Uh, Lulu... 733 00:35:13,978 --> 00:35:15,082 What? 734 00:35:15,580 --> 00:35:18,220 Uh, maybe we don't drop another body right now. 735 00:35:19,150 --> 00:35:21,596 You know? Could make things trickier down the line. 736 00:35:22,453 --> 00:35:23,830 Fuck yeah, it could. 737 00:35:24,489 --> 00:35:25,832 Believe me, if we had a choice, I... 738 00:35:25,890 --> 00:35:28,268 Listen, the girlfriend didn't call the cops, did she? 739 00:35:28,326 --> 00:35:29,737 She called the fucking movie studio. 740 00:35:29,794 --> 00:35:31,330 Which is not usually how you behave when you think 741 00:35:31,395 --> 00:35:32,840 someone's killed your boyfriend. 742 00:35:32,897 --> 00:35:34,535 Mm. I don't know. 743 00:35:34,599 --> 00:35:36,977 MILES: She thinks that somebody stole his script. 744 00:35:37,034 --> 00:35:38,240 So all we need to do is come up with 745 00:35:38,302 --> 00:35:40,145 a reasonable explanation for what happened. 746 00:35:40,204 --> 00:35:41,877 Okay, you're making this more complicated. 747 00:35:41,939 --> 00:35:44,943 So we tell her, um... 748 00:35:45,009 --> 00:35:46,613 No, I can't come with you. 749 00:35:47,011 --> 00:35:49,321 - Come on. - I can't, I've to drive to Nevada. 750 00:35:49,380 --> 00:35:51,087 - Now? - For fuck's sake! 751 00:35:53,951 --> 00:35:55,055 It... 752 00:35:58,589 --> 00:36:00,159 It's all gone to shit with Katie, 753 00:36:00,224 --> 00:36:01,396 and I feel like if I don't... 754 00:36:02,560 --> 00:36:04,836 lfl wait, I don't know what's gonna happen. 755 00:36:08,032 --> 00:36:09,841 Yeah. That's fine. That's... 756 00:36:09,901 --> 00:36:11,608 You go take care of Katie, 757 00:36:11,669 --> 00:36:13,239 and I'll handle the girlfriend. 758 00:36:19,110 --> 00:36:21,317 I'm sorry for that nonsense at the car dealership. 759 00:36:21,379 --> 00:36:24,656 That was, you don't need to up your game. 760 00:36:24,715 --> 00:36:26,023 Your game is up. 761 00:36:26,083 --> 00:36:29,326 Don't worry about it. You should go. 762 00:36:29,453 --> 00:36:30,864 Yeah. Four hours. 763 00:36:32,123 --> 00:36:35,593 And it's bullshit that they brought on another writer. It is. 764 00:36:35,660 --> 00:36:37,367 Just stick around, Lou. We'll find something else 765 00:36:37,428 --> 00:36:39,203 for you to do on the movie, okay? 766 00:36:39,263 --> 00:36:40,264 It's up to you. 767 00:36:43,100 --> 00:36:44,704 So, wait, wait, wait, now... 768 00:36:44,769 --> 00:36:46,442 What am I telling this woman? 769 00:36:46,504 --> 00:36:47,608 You're the writer. 770 00:36:48,539 --> 00:36:51,145 (DOOR OPENS AND CLOSES) 771 00:37:08,893 --> 00:37:10,463 (KEYPAD BEEPING) 772 00:37:10,528 --> 00:37:12,371 (LINE RINGING) 773 00:37:19,337 --> 00:37:21,248 Just had dinner at Molly's. 774 00:37:22,907 --> 00:37:24,716 Guess who I'm lookin' at right now? 775 00:37:26,777 --> 00:37:27,915 WOMAN: (ON TV) My question is to you, 776 00:37:27,979 --> 00:37:29,925 is how do you find your inspiration? 777 00:37:29,981 --> 00:37:31,824 (KNOCK ON DOOR) 778 00:37:32,250 --> 00:37:33,524 Who is it? 779 00:37:34,619 --> 00:37:36,792 LOUIS: Louis. Uh, you don't know me. 780 00:37:38,155 --> 00:37:39,532 I, I'm a friend of Owen's. 781 00:37:45,730 --> 00:37:47,004 Caroline? 782 00:37:47,064 --> 00:37:48,168 Yeah. 783 00:37:48,232 --> 00:37:49,540 I know that you're looking for Owen, 784 00:37:49,600 --> 00:37:52,672 and I owe you an explanation. 785 00:37:53,304 --> 00:37:54,783 How'd you get my address? 786 00:37:54,839 --> 00:37:56,648 Well, from your phone number. I tried to call you... 787 00:37:56,707 --> 00:37:58,914 How'd you get my phone number? 788 00:37:58,976 --> 00:38:00,455 You gave it to the production office. 789 00:38:01,812 --> 00:38:04,554 That Louis. Your name is on the screenplay. 790 00:38:04,615 --> 00:38:06,185 You know where Owen is? 791 00:38:06,250 --> 00:38:08,196 Uh, can I come inside and we'll talk? 792 00:38:08,252 --> 00:38:09,731 Mm,no. 793 00:38:11,222 --> 00:38:14,032 Well, so I'm, I'm a screenwriter. 794 00:38:14,091 --> 00:38:16,093 - Uh-huh. - And Owen was a friend of mine. 795 00:38:16,160 --> 00:38:18,162 And I used to give him all my screenplays 796 00:38:18,229 --> 00:38:21,403 so that he could read them and just tell me what he thought, and... 797 00:38:22,400 --> 00:38:25,813 (SIGHS) I found out that Owen was... 798 00:38:28,739 --> 00:38:31,345 He was taking my scripts, and he was giving them to girls. 799 00:38:32,443 --> 00:38:35,253 You know, to get laid... 800 00:38:35,413 --> 00:38:36,414 What? 801 00:38:36,480 --> 00:38:38,357 So when you called the production office, 802 00:38:39,817 --> 00:38:41,524 I just figured I should tell you. 803 00:38:43,754 --> 00:38:47,497 Okay, then. All right, sorry. Take care. 804 00:38:47,658 --> 00:38:49,899 Wait. You came here to give me that story? 805 00:38:49,960 --> 00:38:52,998 I mean, that is fucking ridiculous. 806 00:38:53,764 --> 00:38:55,243 I'm just telling you what happened. 807 00:38:56,033 --> 00:38:59,344 Well, then I have questions. 808 00:39:11,449 --> 00:39:12,450 (KNOCKING) 809 00:39:25,963 --> 00:39:27,442 -(WHISPERS) Come outside. - No. 810 00:39:28,733 --> 00:39:29,837 I drove from LA. 811 00:39:34,638 --> 00:39:35,742 What the fuck? 812 00:39:36,574 --> 00:39:38,110 I didn't wanna wake Emma. 813 00:39:38,175 --> 00:39:39,279 Jeffrey is here. 814 00:39:40,578 --> 00:39:41,682 He's in the bed? 815 00:39:42,113 --> 00:39:43,854 Yes, in bed. He's sleeping. 816 00:39:43,914 --> 00:39:45,291 I didn't see his car. 817 00:39:47,284 --> 00:39:48,763 Come outside and talk to me, will ya? 818 00:39:48,819 --> 00:39:49,923 No. 819 00:39:52,156 --> 00:39:54,466 Well, I'm not going anywhere until you do. 820 00:40:01,432 --> 00:40:03,503 - Whose car is this? - I leased it. 821 00:40:03,567 --> 00:40:04,671 (SCOFFS) 822 00:40:04,735 --> 00:40:06,146 Call this, seemed like a good idea at the time. 823 00:40:07,371 --> 00:40:08,475 And the suit? 824 00:40:08,639 --> 00:40:10,346 I was at a fund-raiser in Malibu. 825 00:40:10,408 --> 00:40:13,514 And tomorrow, I have a photoshoot for the Trades which is like with... 826 00:40:13,577 --> 00:40:15,682 - Miles. - I'm sorry about Jeffrey. 827 00:40:17,348 --> 00:40:19,055 - He's traumatized. - Yeah. 828 00:40:19,116 --> 00:40:21,460 Takes him two milligrams of Xanax just to fall asleep. 829 00:40:21,519 --> 00:40:24,193 - And that's terrible. - Yes. 830 00:40:24,255 --> 00:40:26,257 Which is why you and Emma should come to LA, 831 00:40:26,323 --> 00:40:28,098 to get away from lunatics like Yago. 832 00:40:28,159 --> 00:40:31,402 It's not about Nevada. It's about you. 833 00:40:36,867 --> 00:40:38,141 (KATIE SIGHS) 834 00:40:44,208 --> 00:40:45,881 I always thought we'd make it. 835 00:40:47,511 --> 00:40:50,958 You know, even when I moved out I thought, "No, they'll be... 836 00:40:51,015 --> 00:40:52,494 "It'll all fuckin'..." 837 00:40:56,887 --> 00:40:59,527 You want me to stay out of your way, I'll do it. 838 00:40:59,590 --> 00:41:01,263 I promise, I will. 839 00:41:01,325 --> 00:41:03,635 But just know that everything I'm doing, 840 00:41:03,694 --> 00:41:06,300 all I'm going through right now is so that you can tell people 841 00:41:06,363 --> 00:41:08,070 what Emma's dad does for a living. 842 00:41:09,800 --> 00:41:12,337 And I'm sorry about Jeffrey, I am. 843 00:41:13,471 --> 00:41:14,950 I don't know what to do. 844 00:41:17,942 --> 00:41:19,683 Maybe I could send him a gift basket. 845 00:41:21,345 --> 00:41:23,655 - A gift basket would be nice. -(CHUCKLES) 846 00:41:25,683 --> 00:41:27,993 If you're in love with this guy 847 00:41:28,052 --> 00:41:31,033 then I don't wanna be the one who fucks it up. 848 00:41:31,088 --> 00:41:33,398 In love? (SCOFFS) 849 00:41:39,396 --> 00:41:40,500 Aren't you? 850 00:41:41,866 --> 00:41:43,777 I'm just trying to get over you. 851 00:41:49,540 --> 00:41:50,951 So, you're not over me? 852 00:41:58,549 --> 00:42:00,495 Should we make out now? 853 00:42:00,551 --> 00:42:02,792 Or is it a bit strange with your boyfriend in bed? 854 00:42:02,853 --> 00:42:04,730 - Hold on, Katie? Katie? - Goodnight. 855 00:42:06,290 --> 00:42:07,792 Can you just give this to Emma, will you? 856 00:42:09,360 --> 00:42:10,361 What is it? 857 00:42:10,427 --> 00:42:11,531 Acting lessons. 858 00:42:12,796 --> 00:42:15,777 Thought it would, you know, help her confidence before the movie. 859 00:42:17,568 --> 00:42:18,876 It's in LA. 860 00:42:21,939 --> 00:42:24,180 Acting lessons are a bit limited around here, so... 861 00:42:25,576 --> 00:42:27,078 We'll talk about it later. 862 00:42:33,651 --> 00:42:37,656 I think when he found out that my movie was getting made, 863 00:42:37,721 --> 00:42:39,723 he knew the jig was up. 864 00:42:39,790 --> 00:42:42,600 And that you were gonna find out the truth. So he split. 865 00:42:42,726 --> 00:42:46,139 When did he start showing your scripts around, do you know? 866 00:42:46,196 --> 00:42:51,441 Oh. Yeah. It's been happening for years. Years. 867 00:42:52,369 --> 00:42:55,578 I mean, there'd be a, a different script for a different girl. 868 00:42:55,639 --> 00:42:59,314 You know. Oh, God. I'm... I'm sorry. 869 00:43:00,144 --> 00:43:01,179 I didn't mean to offend you. 870 00:43:01,245 --> 00:43:05,785 I'm sure that whatever was between you and him that was really special. 871 00:43:06,617 --> 00:43:08,096 What a psychopath. 872 00:43:08,686 --> 00:43:12,224 I mean, if you'd seen him talking about character arcs 873 00:43:12,289 --> 00:43:16,260 and research. So creepy. 874 00:43:16,327 --> 00:43:17,806 I blame myself. 875 00:43:17,861 --> 00:43:19,397 Why? 876 00:43:19,463 --> 00:43:21,204 Because I knew what was happening, 877 00:43:21,265 --> 00:43:23,404 and I called him on it. But I just thought, you know, 878 00:43:24,435 --> 00:43:26,938 as long as he's just giving the scripts to these girls, 879 00:43:27,004 --> 00:43:30,577 eh, you know, I mean... What's it matter? 880 00:43:31,875 --> 00:43:35,914 But I see now that it was really causing damage. 881 00:43:36,647 --> 00:43:38,092 Real damage. 882 00:43:41,085 --> 00:43:42,723 I just hope you can forgive me. 883 00:43:44,855 --> 00:43:45,856 Okay. 884 00:43:46,624 --> 00:43:48,661 Well, I'm glad you came by. 885 00:43:48,792 --> 00:43:52,399 I still don't know where my car is, if you can believe that. 886 00:43:53,430 --> 00:43:55,569 But, um... Thank you. 887 00:43:59,203 --> 00:44:00,409 Okay. (CHUCKLES) 888 00:44:00,471 --> 00:44:01,950 All right. Be well, Caroline. 889 00:44:02,006 --> 00:44:03,747 Okay. Okay, you too. 890 00:44:09,847 --> 00:44:10,951 (swans) 891 00:44:14,785 --> 00:44:16,025 Hey. 892 00:44:16,153 --> 00:44:17,826 My grandmother used to say, 893 00:44:17,888 --> 00:44:20,892 "Choices are like the branches of an oak tree." 894 00:44:21,125 --> 00:44:22,798 Ah, that's nice. 895 00:44:23,227 --> 00:44:25,070 Yeah, it's in the script. 896 00:44:25,129 --> 00:44:28,872 I mean, Owen got that from me. So, like, how did it... 897 00:44:32,503 --> 00:44:33,675 (DOGS BARKING) 898 00:44:54,625 --> 00:44:58,630 (GROANS, SIGHS) 899 00:45:08,806 --> 00:45:09,910 (GRUNTS) 900 00:45:21,618 --> 00:45:22,722 (BREATHING HEAVILY) 901 00:45:22,786 --> 00:45:24,026 Still alive? 902 00:45:24,988 --> 00:45:26,626 I thought you wanted to speak to him. 903 00:45:28,525 --> 00:45:30,436 If you don't, I'll, I'll finish up. 904 00:45:32,629 --> 00:45:34,006 I come in. 905 00:45:34,064 --> 00:45:35,566 (GRUNTS) 906 00:45:35,632 --> 00:45:36,702 (YAGO SPEAKS SPANISH) 907 00:45:36,767 --> 00:45:37,768 (COUGHS) 908 00:45:39,436 --> 00:45:41,143 YAGO: Someone's here to see you. 909 00:45:48,779 --> 00:45:50,281 I tell you I love the script. 910 00:45:51,081 --> 00:45:52,458 May roman tico. 911 00:45:53,650 --> 00:45:54,924 And what did you do? 912 00:45:56,487 --> 00:45:57,625 You push me out. 913 00:45:57,688 --> 00:45:59,065 No. 914 00:45:59,123 --> 00:46:00,534 But Rick tell me... 915 00:46:00,591 --> 00:46:03,629 She's the first to put money into your movie, stupid. 916 00:46:03,694 --> 00:46:04,900 Before the studio. 917 00:46:04,962 --> 00:46:08,933 No. I, I didn't know it myself until recently. 918 00:46:10,734 --> 00:46:13,806 I don't think that they sorted out the details yet, Amara. 919 00:46:14,938 --> 00:46:16,042 George? 920 00:46:17,241 --> 00:46:19,949 We verified with Business Affairs at Gravity Pictures, 921 00:46:20,010 --> 00:46:21,751 the budget is now 30 million. 922 00:46:21,812 --> 00:46:22,813 They're planning a full buyout 923 00:46:22,880 --> 00:46:25,417 of Amara's distribution rights at 16 percent 924 00:46:25,482 --> 00:46:27,519 above her initial investment. 925 00:46:27,584 --> 00:46:28,654 You made money. 926 00:46:28,719 --> 00:46:30,096 But I don't want to be out. 927 00:46:31,455 --> 00:46:33,093 You did it behind my back. 928 00:46:33,157 --> 00:46:36,661 I didn't. I just, I didn't have a say. 929 00:46:37,761 --> 00:46:39,331 AMARA: George? 930 00:46:39,396 --> 00:46:40,841 GEORGE: As executive producers, 931 00:46:40,898 --> 00:46:43,970 you and your partner formed an LLC. It's your decision. 932 00:46:45,469 --> 00:46:47,574 Well, I wasn't aware of that George. 933 00:46:50,374 --> 00:46:52,479 I'm pretty new to this, you know? 934 00:46:54,211 --> 00:46:55,383 YAGO: Are we done? 935 00:46:57,514 --> 00:46:58,618 We're done. 936 00:46:59,283 --> 00:47:00,660 -(YAGO CHUCKLES) - No. 937 00:47:01,952 --> 00:47:03,022 Amara? 938 00:47:04,087 --> 00:47:05,157 (YAGO SCATTING) 939 00:47:08,091 --> 00:47:12,471 Stamos! I got a photograph of John Stamos. 940 00:47:12,529 --> 00:47:14,270 He, he, he signed it for you and everything. 941 00:47:14,331 --> 00:47:15,366 Amara? 942 00:47:15,432 --> 00:47:16,968 Nah. Give me the knife. 943 00:47:19,570 --> 00:47:20,742 AMARA: You got a photo? 944 00:47:22,439 --> 00:47:25,511 Yeah. In my pocket. 945 00:47:31,715 --> 00:47:33,194 (COUGHS) 946 00:47:37,921 --> 00:47:39,093 Autogra f0. 947 00:47:41,758 --> 00:47:45,365 "Amara, can't wait to meet you. 948 00:47:46,029 --> 00:47:49,636 "Rick..." What's this? 949 00:47:49,700 --> 00:47:51,145 -"Sings your praises." - Sing your praises. 950 00:47:51,201 --> 00:47:54,580 "Rick sings praises. All my love, 951 00:47:56,440 --> 00:47:57,885 "John Stamos." 952 00:48:04,281 --> 00:48:05,282 I like this. 953 00:48:06,250 --> 00:48:08,992 (SIGHS) I'm glad. 954 00:48:10,320 --> 00:48:11,628 (COUGHS) 955 00:48:15,225 --> 00:48:16,829 Movie is 30 million now. 956 00:48:17,961 --> 00:48:20,271 How come I only can put in two million? 957 00:48:22,132 --> 00:48:23,236 I don't follow. 958 00:48:23,300 --> 00:48:24,438 I want to put in four. 959 00:48:25,969 --> 00:48:27,277 - YAGO: Tia, you joking? - Shh! 960 00:48:31,108 --> 00:48:32,610 Yes or no? 961 00:48:34,478 --> 00:48:36,685 Bigger budget, you could lose money. 962 00:48:37,881 --> 00:48:39,258 I don't lose money. 963 00:48:41,451 --> 00:48:43,294 All right, then. 964 00:48:43,353 --> 00:48:46,197 Yeah. I mean, if it's up to me like you say 965 00:48:46,256 --> 00:48:50,363 then I'll just call the studio and I'll say Amara's back on, 966 00:48:51,028 --> 00:48:53,907 and now she's in for four million. No problem. 967 00:48:53,964 --> 00:48:56,001 YAGO: Seriously, you gonna throw away your money like that, Tia? 968 00:48:56,066 --> 00:48:57,443 (SPEAKS SPANISH) 969 00:48:57,501 --> 00:49:00,107 (SPEAKS SPANISH) 970 00:49:00,971 --> 00:49:02,609 (SPEAKS SPANISH) 971 00:49:23,660 --> 00:49:25,469 John Stamos is a nice man. 972 00:49:27,864 --> 00:49:28,968 He's a sweetheart. 973 00:49:38,875 --> 00:49:42,015 Morning. You looking for Rick? 974 00:49:42,079 --> 00:49:43,183 Mm. 975 00:49:43,914 --> 00:49:45,393 Rick! 976 00:49:45,449 --> 00:49:46,587 RICK: Huh? What? 977 00:49:47,517 --> 00:49:49,793 Oh, hey! Okay. 978 00:49:49,853 --> 00:49:51,093 Well, look, you don't gotta apologize. 979 00:49:51,154 --> 00:49:53,031 - We've all been there. - APRIL: Apologize for what? 980 00:49:54,091 --> 00:49:55,161 You don't remember? 981 00:49:55,225 --> 00:49:57,171 What little I remember is plenty. 982 00:49:57,227 --> 00:50:00,106 Yeah, well... Uh, oh. Uh, the poster? 983 00:50:00,163 --> 00:50:01,267 Yeah, yeah, in that office. 984 00:50:01,331 --> 00:50:02,401 - Right there. - MAN: Okay. 985 00:50:02,466 --> 00:50:05,208 Guy holding a rooster. Get it the hell outta there. 986 00:50:05,702 --> 00:50:08,182 - Okay... - Hafdis Snaejornsson. 987 00:50:09,206 --> 00:50:11,618 - What? - Director Snaejornsson? 988 00:50:11,675 --> 00:50:13,348 Uh, no one says it right. 989 00:50:13,410 --> 00:50:15,014 He hasn't made a movie in 10 years, 990 00:50:15,078 --> 00:50:18,082 but the last one he did it got a standing ovation at Cannes 991 00:50:18,148 --> 00:50:19,354 and won the Palme d'Or. 992 00:50:20,584 --> 00:50:22,086 Okay. Well, from the sound of it I don't think he... 993 00:50:22,152 --> 00:50:23,460 He asked for the script. 994 00:50:24,554 --> 00:50:26,192 - No kidding. - Hmm. 995 00:50:26,256 --> 00:50:30,295 Miles pitched it to him yesterday on the beach according to CAA. 996 00:50:30,360 --> 00:50:33,273 Hafdis thinks it's something he might direct. 997 00:50:33,330 --> 00:50:34,570 Can you follow up? 998 00:50:35,732 --> 00:50:37,439 - Okay. - Ah, thanks. 999 00:50:38,502 --> 00:50:39,572 Hmm. 1000 00:50:42,039 --> 00:50:44,849 Oh. Good. Good. Good. 1001 00:50:47,611 --> 00:50:48,954 Should we call CAA? 1002 00:50:49,713 --> 00:50:51,021 No. Oh, not now. Not now. 1003 00:50:51,081 --> 00:50:53,584 You're working on pitches for movies that aren't set up 1004 00:50:53,650 --> 00:50:54,890 and this director could move on. 1005 00:50:54,951 --> 00:50:56,658 No, he's never gonna do our movie. 1006 00:50:56,720 --> 00:50:58,199 He won the Palme d'Or. 1007 00:50:58,255 --> 00:51:00,826 - So? - So, so I have work to do. 1008 00:51:00,891 --> 00:51:01,995 Call CAA. 1009 00:51:02,059 --> 00:51:03,060 No. 1010 00:51:06,229 --> 00:51:07,674 Don't hit me in front of the guy. 1011 00:51:07,731 --> 00:51:08,801 Albert, would you excuse us? 1012 00:51:08,865 --> 00:51:10,344 No. Don't, I want that down. 1013 00:51:10,400 --> 00:51:11,572 And would you please close the door? 1014 00:51:15,872 --> 00:51:16,907 Come on. 1015 00:51:16,973 --> 00:51:19,715 You made an ambitious movie 100 years ago and it shit the bed. 1016 00:51:19,776 --> 00:51:21,255 So what? 1017 00:51:21,311 --> 00:51:22,551 You should be proud that you tried. 1018 00:51:24,381 --> 00:51:27,453 Now call the famous director and stop being a pussy. 1019 00:51:29,019 --> 00:51:32,125 Hey. Hey, hey, hey. You work for me. You got that? 1020 00:51:32,189 --> 00:51:33,463 So don't talk to me like that. 1021 00:51:33,523 --> 00:51:34,900 - Pussy. - Don't. Stop that. 1022 00:51:34,958 --> 00:51:37,438 Stop. Stop! All right, stop it! 1023 00:51:37,494 --> 00:51:38,666 I'll call! 1024 00:51:40,097 --> 00:51:43,544 I'll call, okay? I'm calling. I'm dialing. See? 1025 00:51:43,600 --> 00:51:44,738 Yeah. Good. 1026 00:51:44,801 --> 00:51:48,476 You can stop with the guidance counselor bullshit. 1027 00:51:50,240 --> 00:51:51,241 Get the guy. 1028 00:51:51,308 --> 00:51:52,480 Albert! 1029 00:51:53,310 --> 00:51:54,516 Please, continue. 1030 00:51:56,613 --> 00:51:59,560 Hello. This is Rick Moreweather for Manny Yablonz. 1031 00:52:00,150 --> 00:52:01,595 Uh-huh, I'll hold. 1032 00:52:13,830 --> 00:52:17,141 Hey, yeah, yeah. You know what, just leave it. 1033 00:52:18,735 --> 00:52:20,772 Leave it. It's okay. 1034 00:52:21,404 --> 00:52:24,476 Yeah, yeah. Let's just, let's just leave it there. Thank you. 1035 00:52:26,243 --> 00:52:28,154 (DOOR OPENS AND CLOSES) 1036 00:52:44,327 --> 00:52:45,704 Food's good here. 1037 00:52:46,863 --> 00:52:49,810 What do you like, uh, the cabeza tacos? 1038 00:52:49,866 --> 00:52:52,107 Probably exactly why you came, ain't it? 1039 00:52:52,169 --> 00:52:53,239 I wanna make a deal. 1040 00:53:00,110 --> 00:53:01,748 You wanna make a deal? 1041 00:53:02,546 --> 00:53:04,423 You know last time we sat down, 1042 00:53:05,615 --> 00:53:08,357 Amara was talking about cutting all of our legs off. 1043 00:53:10,921 --> 00:53:12,366 So far, so good, though, right? 1044 00:53:13,723 --> 00:53:15,066 Except for your boy. 1045 00:53:15,125 --> 00:53:17,765 You know, the one down there slingin' on Oakridge. 1046 00:53:17,827 --> 00:53:19,670 He ain't doing too good, is he? 1047 00:53:20,163 --> 00:53:21,403 I'll give you Amara. 1048 00:53:27,737 --> 00:53:30,911 If she's gone, most of her men will flip. 1049 00:53:32,776 --> 00:53:35,120 I hand over business and the crew. 1050 00:53:36,046 --> 00:53:37,821 But I need a sit down with Josias. 1051 00:53:39,783 --> 00:53:41,387 Work out my side of this. 1052 00:53:47,624 --> 00:53:49,160 I can't sit here all day. 1053 00:53:50,327 --> 00:53:51,772 What's it gonna be? 1054 00:53:55,999 --> 00:53:57,034 (INAUDIBLE CONVERSATION) 1055 00:54:00,971 --> 00:54:02,746 Mr. Baby, have a seat. 1056 00:54:12,182 --> 00:54:13,923 PHOTOGRAPHER: I should see the other guy, right? 1057 00:54:15,418 --> 00:54:18,024 I was tied up. The other guy's fine. 1058 00:54:18,088 --> 00:54:19,931 PHOTOGRAPHER: Let's try those glasses. 1059 00:54:19,990 --> 00:54:21,833 Move that light over a little bit. 1060 00:54:23,760 --> 00:54:26,001 (CAM ERA SHUTTER CLICKING) 1061 00:54:28,465 --> 00:54:30,240 PHOTOGRAPHER: Movie sounds great, by the way. 1062 00:54:30,300 --> 00:54:32,405 - Yeah? - PHOTOGRAPHER: Congratulations. 1063 00:54:35,238 --> 00:54:40,984 {SINGING} Trouble in mind]??? blue 1064 00:54:43,246 --> 00:54:46,921 But I won't be blue always 1065 00:54:47,784 --> 00:54:50,526 Cause the sun's gonna shine 1066 00:54:50,620 --> 00:54:54,966 In my backdoor someday 1067 00:54:59,496 --> 00:55:06,141 I'm all alone at midnight 1068 00:55:07,037 --> 00:55:11,850 And my lamp is burning low 1069 00:55:11,908 --> 00:55:15,617 I never had so much trouble 1070 00:55:16,546 --> 00:55:19,993 In my life before 1071 00:55:24,187 --> 00:55:30,229 I'm gonna lay my head 1072 00:55:31,895 --> 00:55:36,241 On some lonesome railroad line 1073 00:55:36,333 --> 00:55:41,078 And let the two-nineteen 1074 00:55:41,137 --> 00:55:44,482 Pacify my mind 1075 00:55:49,779 --> 00:55:52,089 (GUITAR PLAYING) 1076 00:56:23,980 --> 00:56:25,357 Quality!